Here are some photos of productions I directed. Some of the most visually interesting designs were born out a need to be creative, ie. a low budget or zero fly space! I love these collaborations.

Tara Franklin and Pauli Pontrelli in “To the Moon and Back” by Darcy Parker Bruce at Chester Theater Co. Set by Travis George, lights by Lara Dubin, costumes by Charles Schoonmaker, sound by Nathan Leigh

Raye Birk, José Espinosa, Pauli Pontrelli in “Curve of Departure” by Rachel Bonds at Chester Theater Co. Set by Juliana Haubrich; lights by Lara Dubin; costumes by Stella Schwartz

“Will Sacrifice” by Julie McKee at Chester Theater Co. Projections by Matthew Whiton; set by Travis George; lights by Lara Dubin; sound by Dave Wiggal (tech photo)

Kevin Osbourne, Solange Prat, James Naughton, Vaneese Williams and Everett Bradley in “Battle for the Airwaves” at the 92nd St. Y “Lyrics & Lyricists” Series

James Naughton in “Cedars” by Erik Tarloff at Berkshire Theater Festival. Set by Hugh Landwehr; lights by Solomon Weisbard; costumes by Laurie Churba

Klaudia Karp, Baker Saurage in “Much Ado About Nothing”at NYU Stella Adler Studio. Lights by Bryan Ealey; costumes by L.A. Clevenson; sound by Jaden Perez; photo by Richelle Szypulski Photography

Klaudia Karp as Beatrice in “Much Ado..” Photo by Richelle Szypulski Photography

“Will Sacrifice” by Julie McKee at Chester Theater Co. Projections by Matthew Whiton; set by Travis George; lights by Lara Dubin

Keira Naughton has come up with an ingenious way of staging the play. The father’s hospital bed remains unseen throughout the play. As a result, though Gabe is speaking to this father, it has the effect that he is speaking directly to us, which allows for eye contact with the audience and direct address. In addition, the daughter Naughton has worked with set designer Hugh Landwehr to determine that less is more. As the play progresses, the view through that window becomes less specific, offering opaque views and multiply-colored views, which nonetheless convey both the brightness and the smogginess of life in LA.
— Examiner review of "Cedars" by Erik Tarloff at Berkshire Theatre Festival

Biorkys Acosta Palmers, Baker Saurage, Siddy Greenstein in “Much Ado..” at NYU. Lights by Bryan Ealey, costumes by L.A. Clevenson, sound by Jade Perez